Haomin Hu’s past works have always been pure, focusing on a wide range of photography types including portrait, landscape and architecture. Without boundaries, he makes full usage of other mediums such as art installation and videos to serve his subject matter, content, and purposes of the project. He ties together the fragments of real life by landscape, street, and portrait photography. With a camera in his hand, Haomin becomes a conductor, organizing all the things that have not happened in life. Similar to a survivor from all kinds of life's cruelty and various desires, he stores the moments that slip away easily.

         By capturing unknown moments and presenting them in the work included, Let the Story Begin and End and the movie <To Us, from Us>, his art practice has gradually shifted from abstract and metaphysical thinking to critical thinking about society.